consistency

tiny women in tubes

After a prolonged break from it, getting back into the mode of working on my Voynich has been difficult at best - partly because of other distraction that are creeping into my brain - but mostly because I’m getting beyond the plant section and into the astrology section, which is so very full of so very many tiny clothed and unclothed people.

If I’ve counted them correctly, there are 536 of them, and I’ve drawn only 79 to date; and drawn them smaller as the original figures essentially had no necks, and giving them necks makes every other part proportionally smaller to fit into the same space.

Tiny neckless nude ladies in tubes.

And a few gentleman as well.

I have overall been impressed by the expressions on all of the original faces though. Some look bored, some look shocked, others joyful, pensive, or confused.

What I have remaining: 2 text pages, 19 plant pages, 19 nymph pages, 21 astrological pages, and the 16 “pharma” pages. 77 pages left out of the 228 page text. I have two weeks off of work around the end of the year and I’m tempted to take one of them and just dive in and see how much of this I can knock out - although I know the pharma pages are going to be the hardest of all of them, right after all of these tiny people - one of my weak points in art - because of my desire to actually match the plants in that section to the plants in the rest of the book. But first I have to get through all of these tiny women in tubes and barrels and splashing in pools or green liquid.

a series in pink

TikTok’s WhiskeyRabbit had a video a while ago about “creating consistency in your art, the advice being to grab a small pocket sized sketchbook, and 2 or 3 max drawing instruments, a list of prompts - and then work on them only when you feel like it. The prompts don’t have to be in order. There’s no deadline. It’s small enough to fit in your pocket or purse, with enough range to do something with it. I had a RazzleDazzle UglyBook lying around, grabbed some microns, markers and white GellyRolls, made a prompt list:

square twisted thorny*
boundary pitted moose
coffee encrusted dripping
knife wormy self portrait
pocket narwhale god cracked
fruit teacup samurai fat birb
clouds plague queen rooted
sandwich modern siren crickets
chain sea shamen shade eater
webbed *bolded prompts have been completed

Highly recommend. I love working on toned paper - much for the same reason I used to love scratchboard. It’s so easy to overwork something and make it too dark - with scratchboard overworking will only blow it out, and there’s always the option to go back in with darks afterwards. With a toned paper you get to work out from the middle, add dark, bring it highlights - it’s all more balanced and forgiving. The prompt list without the schedule or order is also great. Don’t know what to draw, pick whatever you’re vibing with today.

I have a thought towards turning these into a series of mini prints, if I were ever to step foot into the vending game. And I have two other UglyBooks with green and yellow interiors when this one is filled waiting in a pile of blank books and paper.