progress

my Voynich Manuscript

Now 50% complete!

I find it hard to write about my projects - what do you even say? Am I supposed to write about my processes? My trial and errors? What’s hard or what’s easy?

Mostly what I’ve done up to this point is draw a LOT of plants. 80 pages of plants, plus another 25 pages of pure text. I’ve spent hours looking at plant images and matching them as best I’m able to the original drawings. I’ve made a few amateurish attempts to analyze the text. I’m practiced drawing medieval people and animals. I’ve spent a lot of time thinking about how I’m going to tackle the remaining sections - particularly the Pharmacological section, and the Nymphs. I have 22 more plants to make decisions on, and uncounted Pharmacological matches to make.

Currently I’m projecting finishing by the end of the year - including binding the whole thing.

 

And that’s it. That’s the post. I’m making progress.

 

Project Updates

Dollhouse - On hold, temporarily. I need a stand for the house, so that I can build a yard, primarily a side yard, and a greenhouse. This all falls under *“long term projects”, of which I can really only focus on one at a time.

Sea Holly Impasto Painting - the textures are built up, so progress.

Furbinator - Untouched*, see above note about “long term projects”

the writing project - Untouched*

the shrimp - Untouched*

the window book - Untouched*

Temperature Quilt - Untouched*, sort of. I’m tracking the temperatures still, and now that Annatar is complete I have emotional space for this other sewing project.

my Voynich Manuscript - 15% complete. I’ve also created a digital layout with the intention of creating a print version of my manuscript once it’s completed - with 7 foldout tipins it will probably require a Kickstarter to fund, which works out anyway because what else will I do with all of those copies?

With Annatar finished and PCCKC over, I have a lot more time to work on things, and clean up after myself, and go to the gym. Speaking of which…

With the “Witch-Queen” of Angmar, aka the Witch Kings wife

…and the Witch King, who needs to go find his wife.

I had a great time giving out rings, seeing my friends, and going to panels. Of course now I want to grab my favorite local photographer, Russ Matthews, and get some foresty glamour shots of all of that hard work.

my Voynich Manuscript

Like a lot of people, at some point in my life I came across the Voynich Manuscript, and it now lives in my head, rent free. I have a bad copy of it I had printed at my job - because they needed something to train the sewers on, and someone asked me for page files - but it’s not great, and also the wrong size.

I love books. I make books for a living. I sometimes recover old beat up books as a hobby. And I have long wanted to make a book, sewn and bound, completely from scratch. And now I am - completely recopying and reillustrating the Voynich Manuscript. I’m neck deep in other peoples research into what all the plants might actually be. I found a calfskin vellum analogue (Pergamenata) to use as the paper, practiced writing the text with different types of dip nibs until I found one with a similar look, found a truly black black waterproof ink, made a plan for all of the signatures of the book including all of the foldouts to avoid any tipins - and now I've completed 30 pages of transcription, including 20 illustrations.

Generally my goal it so finish a page a day, and four each day of the weekend - and this has been pretty achievable as each page is taking approximately an hour and a half. Obviously the foldout pages will take longer, being larger - with the giant star map in the center of the book taking the longest. Still, if I can keep the schedule up, I should be able to finish the entire inside of the book by the end of July - and the end of August on the outside range. Then it will be on to sewing the signatures and casing the cover, which may end up being plain leather. With PlanetComicon this weekend, I’m not going to get anything done, and possibly not anything finished the rest of this week as I fell into a cleaning spree of the ADHD variety and have a lot more to do until my brain settles out and I can work again. Fortunately I finished Annatar two weeks ago so I have one less project hanging over my head.


Current Project Plan

  • Transcribe 204 pages - currently 15% complete

  • Scan all pages for potential print version

  • Sew Signatures

  • Case Cover

  • Bind Book


There are definitely errors in my text - it’s entirely too easy to loose your plages when copying out a wall of indecipherable text. My husband would like for me eventually to make a printed copy of this book - and I’d ideally like to fix any transcription errors digitally if I did that. The thing that have struck me the most so far are the repetition of “words” - there are a lot of them, and I’ve written out enough of them that I’m starting to recognize character patterns. And in regard to the plants - there are plants that are definitely real plants, completely recognizable in original drawings - and others that look to me like drawing made from verbal descriptions rather than referenced from anything visual or real.

Page Plant
fv1
fv2 Deadly Nightshade
f2r Diffuse Nightweed (Centaurea diffusa)
f2v Nymphoides
f3r Feathery Amaranth (Celosia argentea)
f3v Aconite
f4r Linum catharticum (fairy flax)
f4v Rampion (Campanula rapunculus)
f5r Paris Polyphylla
f5v Mallow (Malva sylvestris)
f6r Bear Breeches (acanthus mollis)
f6v Sea Holly (eryngium maritimum)
f7r starflower (trientalis europaea)
f7v Bog Myrtle (Myrica gale)
f8r Petasites radiatus
f8v comfrey (symphytum offcinale L.)

Original Voynich page F1V

My Voynich - plant reinterpreted, text copied more or less accurately.

House Cleaning

In terms of getting my “house” in order, I have a lot to do, digitally and physically. I’ve not been the best digital archiver of my own work, partially through lack of follow through, but also through technological catastrophes - the external hard drive I was using at one point for a back up of my entire computer just… died, and a lot was lost. I also have too many mediums, and finding the tools and supplies I need for each one would be more efficient if those items were stored together instead of haphazardly here and there.

One of the roles I’ve taken on in the last two years at my job at the Yearbook Place has been Digital Asset Manager for our department, and I’ve learned a lot about the importance of a good archive, how to keep it, and how to reference it, which has also got me in a mind to put together a proper archive for my won work - not only so I can find files when i need to , say, upload hi-res versions to print sites so I can have a shop; but also in the eventually that I want to dive back into the gallery world - it’s important to have an easy to reference database with images to the work, the size, the medium, descriptions, etc. for faster response time should someone have questions about something, or if i want to submit a piece to a show. Do I think any of my current pieces qualify for such - not necessarily, but the point it to get into a good practice of file management and data archiving.

Today while running errands I made sure to pick up two extra storage containers - one for silversmithing, and another for leather working, because apparently these are both things I’m dabbling in now. And another to host my piles of gel pens, assuming I can manage to put them back when I’m done with them, but at least they have a box. And plastic totes are easier to store in closets than what’s going on in my studio closet right now.

I used to get so frustrated with “Art Totes” because they never fit the things that I was being told to store in them, and they inevitably ended up empty or filled with junk. Now, finally in middle age, I’ve figured out what does go in them, and what would be better to store elsewhere. My markers are in a bin. My ink pens are in a lunch box. My pencils are in an old Star Wars tin. The Art Totes are full of my watercolor tubes. The beautiful old water color wood box will be used for something else, possibly all of my exactos and whetstones. My acrylics are in a milk crate. We don’t have to accept the containers things come in, sometimes they fit better elsewhere. How a thing is organized is less important than the system working for the individual using it.

And now I need to start working on my reading list…

Looking Forward, Looking Back

I think it’s pretty typical to use the end of a year to look back and reflect on what happened, what didn’t happen, accomplishments, failures, and what-if’s. 2024 has been a rollercoaster, an evolution, and a year of discovery - and 2025 is going to be even worse! (Or better? Maybe both. Probably both.)

Project Updates

Dollhouse - I fixed some fallen shelves, hung some interior art, worked on the exterior (finished windows, flower window boxes) but otherwise haven’t really touched it. I ought to take some really good progress photos/videos for a post.

Beetle Impasto Painting - I did finish that beetle painting!

Sea Holly Impasto Painting - Untouched

Tattoo design for a friend - Finished!

Furbinator - Untouched

the writing project - Progress has been made.

the shrimp - Untouched

the window book - Untouched

Temperature Quilt - Untouched

Annatar

The robe is sewn, lined, and trimmed. So trimmed: custome embellished piping and beading on the sleeves, foil stamped trim on the hem which is now being embroidered. The shirt is sewn, ruched sleeves and all with some fuck-ass button holes which are fortunately covered up by black glass buttons. I’m thinking about embroidering snakes along the cuffs but haven’t quite worked out the technique between the ruching and the fact that they’re already sewn. The belt is essentially finished aside from adding grommets to the back which I’m waiting on for fit (there’s been a weightloss journey this year which has plateau’d recently but I still have four months until March) - but also I’m still thinking about making a leather version - not that I’ve ever done any leather tooling before.

Which leaves the collar. The leather I initially ordered was thicker than I want for the “feathers”, I ordered more different hopefully thinner leather; and I have yet to decide on the shape/I have to commit to cutting leather and I’m procrastinating as much as possible so I and think through it longer.


2025

Bingo Card - I made one. And I probably already have to change is because the day I finished inking it - because I decided to illustrate it this year - the husband revealed to me the Flat Earth WAS ALREADY going to Antarctica, because some guy offered to pay for them to go to “prove” the earth is flat. Except they’ve almost all backed out because they’re all actually grifters preying on humanity; and now the bar has shifted and I’m sure it will be Firmament or Bust.

2025 Reading List

My reading list, documented here, because accountability. One of the podcasts I have loved in the past was the British History Podcast. I don’t know enough about British History to listen with a critical ear, but it seems balanced? And also left me searching for something similiar with American History - which this recent election and a pointed question from my mother earlier this year left me wanting to explore further and really deep dive into. The History of the American's podcast was a surface level answer to this - but ultimately I found the personality/attitude of the host Jack Henneman to be overly obnoxious and weirdly dismissive of a lot of points that were important to me, and I found myself cranky every time I listened and had to stop.

In short, I’ve put together my own reading list/curriculum to enable me to participate in conversations with facts behind ideas, and because facts sit in my brain more permanently when I take note and write about them after - that will be happening here. Ideally I’d like to finish a book a week, but with everything else in my life… well we’ll see how that goes.

Silversmithing

By hook or by crook, I’m starting my silversmithing learning journey in 2025. I have a plan. I have a bunch of books. I have the emotional support of the husband, although he’s going to be very busy working on his thesis.